Here is a selection of studies published by current and former members of the ICLA Research Committee on Literary Theory in 2023:

Zaal Andronikashvili, “Constitutional Origins of Ethnic Nationalism: Cultural Aporia of a Nation-State,” Telos 202: 123–44;

Natalya Bekhta, “Narrating the Future: A World-Literary Take on the Crisis of Imagination and the Novel,” Poetics Today 44.3: 463–86;

Rok Benčin, “Art between Fetishism and Melancholy in Adorno’s Aesthetic Theory,” Estudios de Filosofía 68: 31–43;

Rok Benčin, “Adornos Monadologie,” in Unversöhnlichkeiten: Einübungen in Adornos Minima Moralia, eds. Pierre Buhlmann, Tobias Nikolaus Klass, and Philipp Nolz (Wien: Verlag Turia + Kant), 168–87.

Vladimir Biti, “(Anti)Barbarous Empires: J. M. Coetzee’s Iconoclasm in Waiting for the Barbarians,” European Review 31.1: 9–16;

Marco Caracciolo, “Remediating Video Games in Contemporary Fiction: Literary Form and Intermedial Transfer,” Games and Culture 18.5: 664–83;

Marco Caracciolo, Contemporary Narrative and the Spectrum of Materiality, Berlin: De Gruyter;

Anne Duprat, “Sequence in French, Italian, and Spanish Literature (1500–1800),” in Handbook of Diachronic Narratology, ed. Peter Hühn, John Pier, and Wolf Schmid (Berlin: De Gruyter), 420–42;

Divya Dwivedi (ed.), “Caste and Racism in India” (= Critical Philosophy of Race 11.1);

Alexandre Gefen (ed.), Créativités artificielles – La littérature et l’art à l’heure de l’intelligence artificielle (Dijon: Les Presses du Réel);

Davide Giuriato (co-ed. w. Claas Morgenroth and Sandro Zanetti), Noten zum “Schreiben”: Für Martin Stingelin zum 60. Geburtstag (Leiden: Brill);

Jernej Habjan, “Free Indirect Jane Eyre: Brontë’s Peculiar Use of Free Indirect Speech, and German and Slovenian Attempts to Resolve It,” in Matthew Reynolds et al., Prismatic Jane Eyre: Close-Reading a World Novel Across Languages (Cambridge: Open Book Publishers), 703–20;

Péter Hajdu, “Hungarian Writers in the Interwar USA: The Fiction of József Reményi and Áron Tamási,” Neohelicon 50.1: 207–24;

Djelal Kadir, “Plague, Pestilence, Pandemic: Keywords for a Cultural Epidemiology of the Present,” Review of International American Studies 16.2: 67-88;

Maya Issam Kesrouany, “Critical Hope: Critique in the Works of Husayn Muruwwa and His Grandson Rabih Mroué,” Critical Times 6.1: 85–113;

Karin Kukkonen, “Literature as Uncertainty Practice: An Anomaly at the End of Literature,” Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 97.4: 1143–52;

Françoise Lavocat (co-ed. w. Alison James & Akihiro Kubo), The Routledge Handbook of Fiction and Belief (New York: Routledge);

Xiaofan Amy Li, “Risky Masquerades: The Play of Masks in Yukio Mishima’s Confessions and Qiu Miaojin’s Crocodile,” Comparative Literature Studies 60.4: 719–45;

Ivana Perica, “The Male Capital and Its Female Provinces: Ivan Olbracht’s O Anně, rusé proletářce (On Anna, the Red Proletarian, 1925),” Brücken 30.1: 41–61;

Ivana Perica and Benjamin Kohlmann, eds.: “Peripheral Europes.” Special issue of Critical Quarterly 65.4;

Matthew Reynolds et al., Prismatic Jane Eyre: Close-Reading a World Novel Across Languages (Cambridge: Open Book Publishers);

Tiphaine Samoyault, “Communes créatrices,” Critique 911: 302–11;

Robert Stockhammer, Welt – Erde – Globus: Zur Philologie der Erdliteratur (Konstanz: Konstanz UP);

Galin Tihanov, “Alexandre Kojève: Adventures between Philosophy and Wisdom,” Thesis Eleven 178.1: 66–71;

Elisabeth Weber, “ʽEverything is Breath’: Critical Plant Studies’ Metaphysics of Mixture,” SubStance 52.1: 117–24;

Stefan Willer, “ʽWir treten vor Euch auf’. Präsenz und Referenz in Goethes Theaterreden,” in Gegenwartskonzepte 1750–1800, ed. Julia Mierbach and Eva Stubenrauch (Berlin: Erich Schmidt Verlag), 163–79;

Robert J. C. Young, “The Soviet Invention of Postcolonial Studies,” boundary 2 50.2: 133–56.